Artist Feature: Miko Yunus – The Dotted World of Tembikar Pelik

At just 23, Miko Yunus, the artist behind Tembikar Pelik, has shaped an unexpected path from a simple elective into a vibrant and deeply personal ceramic practice. What began as curiosity quickly grew into a calling, fuelled by the influence of her family, and a growing sense of emotional connection to the craft. Through patience, experimentation, and community support, she has carved out a distinctive voice in Singapore’s quiet but evolving pottery scene, one defined by bold colours, expressive dots, and pieces infused with story and feeling. Today, her work has travelled from local exhibitions to international showcases, reflecting not just her skill, but the journey, resilience, and heart behind every cup and bowl she creates.

How did you first get introduced to pottery?

I was first introduced to pottery while I was studying at the Nanyang Academy of Fine Arts, NAFA, for short. It actually started out as an elective module that I had to take as part of my diploma. At the time, I didn’t think much of it, but as I got deeper into it, I realized how much I genuinely enjoyed it. There was something about the process that really spoke to me. That’s when I made the decision to take it more seriously and continue with it throughout the rest of my diploma years.

Have any artists or designers inspired the style or designs in your work?

A lot of my inspiration comes from the people around me, especially my family. My sisters, in particular, have had a big impact on me. Growing up, I really looked up to them, the way they carried themselves, their sense of fashion, their lifestyle. There was always something about their energy and presence that inspired me, and that naturally influenced the direction of my art as well. If I had to name one artist who’s had a strong influence on my visual style, it would be Yayoi Kusama. I’ve always been drawn to the way she uses dots, circles, and playful colours in her work. There’s a kind of childlike freedom in her pieces that I really connect with, and that has definitely inspired my own creative approach.

What advice would you give to someone who wants to follow a similar path?

If you find an art form that truly speaks to you, something that brings you joy and feels like it fits, you should hold onto it. It doesn’t matter what people say about whether it’s practical or whether it will make you money. If it’s something you can see yourself doing for the long haul, just go for it. Of course, it takes time. Nothing happens overnight. I didn’t just wake up one day with a supportive community or a clear path. It took a lot of patience, a lot of trial and error. And honestly, there were sacrifices too, pursuing this path wasn’t always easy, and it even put a strain on some family relationships. But if it’s something you truly care about, if it brings you happiness and a sense of purpose, it’s worth putting in the time and energy to build it.

Are you currently working on any pieces or projects you’d like to share?

Yes, actually. I’m working on a new collection that’s really close to my heart. It’s inspired by my daughter, who was born just a few months ago. When I first found out I was expecting her, I happened to be working on a different collection for a pop-up event, and that whole process became deeply emotional for me. That previous collection already felt special, but now, creating this new one with her in mind adds another layer of meaning. It’s a way for me to mark this new chapter in my life, and I’m really excited to share it with the people who’ve been following my work and waiting for new pieces. It’s not just about the ceramics anymore, it’s about the story behind them, the feeling that goes into each one.

Can you walk us through your creative process — from concept to finished piece?

Pottery involves many steps—from shaping clay to firing and glazing—but what I enjoy most is the creative experimentation. Each piece reflects both technical skill and personal expression, making the final result deeply rewarding.

How do you feel the pottery or craft scene in Singapore has shaped your journey as an artist?

For me, it’s really been about discovering and developing my own personal style. The ceramics scene in Singapore is still quite small and quiet, and I’ve noticed it tends to lean more toward traditional forms, like classic vases and more muted, conventional colour palettes. That kind of work definitely has its place, and I respect it a lot. In fact, I still use traditional techniques like wheel-throwing in all my pieces, it’s something I intentionally hold on to because it connects me to the roots of the craft.

But when it comes to the design and aesthetic of my work, I like to take it in a different direction. I’ve made it a point to create ceramics that reflect who I am — playful, bold, and colourful. I want my pieces to stand out in a way that feels personal. So when someone sees one of my cups or bowls out in the world, they’ll instantly recognize that it’s mine. I think in a smaller scene like Singapore’s, that sense of identity and distinction is really important.

Miko’s pieces might not look like your typical ceramics, and that’s entirely the point. Her playful use of colour, dots, and texture isn’t just a style, it’s a statement. Through Tembikar Pelik, she’s crafted a space for herself and others to feel seen, celebrated, and inspired to embrace what makes them different.

Photographer: @photographsbyismeth
Special Feature: @tembikarpelik